Coura Devka

June 15, 2012

Coming home from a meeting at the airport I decide on a whim I will take the scenic route and stop at the farm in Varina. I drive with little else on my mind but wonder of this spectacular June day. Though usually gated and locked, I see the farmer who leases the land is there and the gate is open so I drive slowly down the long flat lane, taking in the large expansive fields flanking it, towards the cottage my husband and I once lived in.

A powerful memory is unlocked and I am suddenly driving down this same lane on an identical day one Saturday in June, all those years ago.

We had been seeing each other for four years at the time. I lived in a cottage on a farm at the battlefields a few miles east. We had decided since my lease was ending I would move in with him. This particular Saturday we’d spoken in the morning and I was to come midday to finalize the move plans. Like today, I drive the familiar road, turning into the farm, continuing down the lane. I park. I enter the small cottage and walk through the kitchen and living room. When I get to the small hall with the bedroom on my right, he is standing inside the bedroom door, and she is there. I have no way of knowing as I attempt to enter that the woman in his bed will spend the rest of our relationship with us.

I begin to cry. He moves towards me and gently pushes me back and out of the room. The scene is clear. His look, a slight upturning of his lips when he first saw me, as though he is about to smile. I become hysterical, crying and screaming how could you, you knew I was coming. Pushing against his bare chest. His look turns to disdain. He grabs my shoulders and says ‘you are making a scene, pull yourself together, it’s unbecoming of you’, pushing me backwards into the living room. I refuse to leave, insisting she must. Pushing back as I try to move around him to confront her, pull her from his bed, our bed. Finally defeated, broken, I back down. I get in my car and drive back to my place, leaving them together.

What I don’t recall is how it came to be that I continued to move in with him later that month, only that I did. Whether he renounced her or apologized (unlikely as he never did), I proceeded and in doing so I defined that there was no limit to what I was willing to endure. The rest, as they say, is history. My history.

Newly single after breaking off an engagement to the man I had moved to Richmond with, someone I’d been seeing only a few months before saying yes, my epic story of love, lust and betrayal began with an older, sophisticated man’s focused pursuit of me; naïve and headstrong, all of 21. I have always loved the idea of being in love, but in truth it is not a state I have found myself in many times. He was the first to profess love and seemed determined to make me his solely. Despite his arduous attempts I was not easily convinced. Though flattered, I held out a considerable length of time. I found the impracticality of our romance off putting and preferred the autonomy of keeping my options open. Immediately pulled to him in an almost drug like obsession, it was years before I finally fell madly, hopelessly, haplessly in love. I fell hard and solidly. Starry eyed, I came to believe my prince had been there all along, I had only just noticed it was him. The tables turned and I became the relentless pursuer of the man of my dreams, as I am apt to do when something or someone has garnered my attention.

Today as I sit on the grass between the main house and cottage, both long abandoned, I feel the continuous rhythm of hay baling, one after the other and the images flash back before me. Her name, Coura Devka, was to become a familiar name in our household. She was the interloper in our relationship and marriage, though I felt it was me who was the interloper; the invited yet unwelcomed observer. The third. The outsider.

I guess I need to get Coura over here to teach you how to cook. If you can’t help me I’ll just get Coura to. You better watch your step. I’ll leave you for Coura. If you don’t do your ‘homework’, Coura will do it for you. If I’d married Coura she would have taken care of me….thrown in my face over twenty plus years, all compressed into this one painful paragraph.

Of course, Coura Devka is not her name. I have allowed myself the latent luxury of overt passive aggression in the choice of the Czech pseudo name for my pitted rival, my nemesis. Waves of nausea come as I say her real name aloud. The wind moves across the field and the distant baling machine drowns it out to even me. Tears well and almost in slow motion fall, one at a time, onto my black linen dress, weirdly synchronized to the baling rhythm. I am overwhelmed by the sudden realization this new layer has been peeled back revealing yet another stuffed back, down, numbed glimpse of a life changing event. One in which my veil of naïveté was forever chinked. I try to see it as a breakthrough that will help me in a future relationship, at once understanding intimacy, lost, is likely impossible to reclaim. I don’t mean physical intimacy, rather the betrayal of emotional intimacy.

The winter after he died, going through his things I found some pictures. They were not recent. They were not old. The place she occupied in our life was the place I had occupied in another woman’s life, a lifetime prior. All of us, and many other casual encounters spanning throughout all our tenure; we were all part of the feeding and care of an insatiable ego housed in a package that looked so perfect and proper on the outside.

I feel a huge sense of relief when I write some posts. This, however, leaves me tearful. The ultimate not measuring up, not being enough, not being the one. I know it was his, not mine. But I would not write my love story’s ending in this way. I would write it as my life partner, my soul mate, found. The missing piece of my heart matched and completed. My childlike innocent view of love and marriage, to just be deliriously and securely in love, is in my story forever shrouded and marred by my experiences. We carry the dirt from the path we’ve walked into the next place we go, our past creating our present. This is a bitter truth for me, this day in particular.

I can’t help but be left with an unshakeable melancholy. I memorialize this event, this day, in a picture and post it on my Facebook page.


‘Cause you can’t jump the track, we’re like cars on a cable and life’s like an hourglass glued to the table. No one can find the rewind button now, so cradle your head in your hands. A. Nalick

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The Space Between

We do it until we can’t do it anymore. Each of us has an internal barometer as to what we can and will take, and what and when we refuse to take anymore. It isn’t a snap decision, it’s a series of very small decisions; almost imperceptible measurements that build on each other. Little mental notes of ‘I can’t keep doing this’ to ‘this has to stop’. Denial and justifying give way to bargaining, negotiating ‘if this happens again I will…’ which gives way to ‘I can make it stop’ and ‘I can make it work’, which gives way to acceptance: ‘I have to leave’. But we aren’t done until we are done. No one can make us get there before we get there. Lots of crisis will, and maybe need to happen before we get there. Even when we arrive, it is not always final. The journey of deciding begins the first time the abuse occurs. We just don’t acknowledge the process until much later.

I believe there are people who complement us and bring out our best (or at least we want to be our best with them) and those whose personalities mix volatilely with our vulnerabilities. Those who peck and prick at us to the point both people go careening down a toxic road at warp speed. I think that was me and my husband. At some point he knew just how to look at me and I was fully negatively engaged. Sucked in with zero resistance, the master of surrender despite my desire to be detached. Afterward I would wonder how the hell I got there, bemoaning my lack of resolve to not roll around in the muck with him. He knew I would jump in and would provoke me until I did.

I like neatly defined black and white things. It is only in the last few years that the existence of a gray area of life has even occurred to me. That the abuser is sometimes the abused…abused or abuser. Who is the victim? Good, evil. Predator, prey. Right, wrong. Beginning, ending. Pain, healing. Knowledge and innocence. They become so interwoven and interdependent. What I once thought so obvious and clear is very blurry these days. We all have a role and play it. Knowingly or unknowingly. Assigned or taken on. It is neither wrong nor right. For every action there is a reaction. Even no reaction is a reaction.

Did I have a role in my shooting? I did not provoke him, incite him, or deserve it. That is not the point, nor do I want to in any way minimize the degree of dysfunction and insanity which made him feel the necessity to carry it out. I imagine my leaving with nothing but a suitcase might have felt provoking and justification to him. How dare I, after all he had done for me? I understood the danger so I tried to be careful. The prolonged ending might have felt I was inflicting pain on him as I wasn’t willing to leave the kids with him, until finally I let go of even that.

At one point I simply thought we would be better people apart. As much as I’d like to believe that, I know in my heart of hearts it would have ended the same. Maybe he’d have taken out a man I was with too. Maybe the kids in his pain. My black and whiteness has yielded to a grayer area that I believe it was born out of pain. It was not the pain I was causing him; it was the pain of his whole life. I don’t for a minute underestimate that. He brought with him, as we all do, his life experience. Just as our life together looked so right on the outside, so did his, when clearly both were chaotic and turbulent once revealed.

He had no empathy that it was also painful for me though, to leave. To love someone and know the only hope of sanity and peace in your and your children’s lives is separating from that person. It is very sad. I was not worth his life. Not at all. I’m worth no one’s life.

At first I fantasized about ways it could have ended differently. Now I try to focus on how I can do things differently. Revisiting it on different levels. Experiencing it where I am versus then gives me perspective which I could not have at that time. The acceptance that in the end our survival depends on our selfishness to take care of ourselves.


What saves a man is to take a step. Then another step.
C.S. Lewis

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Surrender

He asks, boldly, when no one has dared, what did it feel like? This virtual stranger calls out my experience, wants to know if it was painful, but does not fully understand his question evokes an emotional layer that has taken me all this time to process. I silently thank him for the chance to finally release it. He is like the visitor to the jail, who seeing the key moves it into my reach. He does not offer to leave with me, only observes as I begin this new journey.

There is a stillness before a storm, as though everything has stopped. A quietness. You sense the change, the difference, and wait, not knowing when, only that it will begin. It is this calmness that I noted the night before, and in it an inescapable foreboding that still shakes me. I could not have known the degree to which the storm would destroy our lives, only its impending arrival.

The night before….the moon was brilliant as it rose from behind the trees. We had a bonfire in the yard with my son’s friends dancing and telling macabre stories after his birthday party. There was little interaction between my husband and me. It was the culmination of the chaotic, violent week which affirmed the necessity of leaving and I was very aware of the need to remain detached from the events and him. Married 21 years, and involved years prior, we had been together a long time. It was this emotional separation I knew I had to assume to do what I had to do for the children and I.

It is like swimming in deep turbulent water with your partner. You understand too late the distress they are experiencing. You are so close as they struggle and desperately grab onto you in an effort to save themselves, and in that moment you know you must make a choice. You know they will take you down with them, that you will both drown if you try to save them so you use all your strength to wrench free and swim out of reach. You cannot swim fast enough or far enough to not witness their own struggle pull them under. You live with it knowing it was your only choice. It is a brutal truth. A blinding last scene that replays over and over, unchangeable.

The day after the bonfire I returned home from church. As he came into my bedroom demanding to know how I would live if I left, I stated confidently I did not know how but I had tremendous faith. He begged me at first to lay with him, then to just hug him. I knew that moment had passed for us and I could not. As I sat in the chair in the corner of my bedroom he returned with the gun, covered by a hand towel, and stood at the end of my bed, four feet from me, and for a split second I thought he was simply threatening me as he had in the past. Uttering the words ‘I love you too much to live without you’, he removed the towel and aimed at my head. As we held each other’s gaze for that fraction of a second, I immediately understood.

Only now am I able to burrow down through the layers of emotional insulation to the core of that moment, to his eyes. He looked directly into my eyes. It was a millisecond of final intimacy, the last intimate gaze between a husband and wife, lovers and friends. It seared painfully through me and felt like the ultimate betrayal of that intimacy, of trust. It was not in rage or anger. It was a calmness. It was sadness. The disparity between my empathy in grasping his sadness and his intent is emotionally complex and perplexing, but acceptance was my survival. It was his moment of being painfully human but final in his mistake. The choice he made to pull the trigger left him no choice. Nor me. It was that final moment of kicking free from the drowning person and swimming clear as I ran past and away from him while he continued shooting me.

I made it. I fought for it and I made it and right now I’m more than just a little at odds with the emptiness of victory. The burden of the weight of survival. So grateful, so tortured, I seek a place to lay my tragedy within my high spirited, driven psyche. Coming to terms with this is a work in progress and I can only reflect it has just begun. This painful work to find my way.

As for you, you meant evil against me, but God meant it for good, to bring it about that many people should be kept alive, as they are today.” Genesis 50:20 (ESV)

 

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Portrait of Domestic Violence

Artist Susan Singer paints women. As women. As themselves. Hurt, human, scarred, broken, triumphant, Beyond Barbie. As part of my own healing, I commissioned Susan last summer to paint my portrait, nude, showing the residual scars from the shooting and the surgery that saved my life. I thought in modeling, and having the portrait, I would learn to accept my changed body and what the scars represented.

Out of hundreds of photos, I chose a picture in front of the window in my bedroom, with the sun streaming in onto the ‘killing chair’, wearing my husband’s Brooks Brother’s white shirt, scars in plain view, a look of determination, will, defiance in my eyes.

When the work was complete, her Beyond Barbie show was opening at the Crossroads Art Center and Susan asked if she could include my portrait. The stories behind the portraits in the show were so powerful an eight week performance series was born. I saw my portrait as an opportunity to further the understanding of what domestic violence looks like and wrote this to accompany my portrait. I named it the Portrait of Domestic Violence:

I am in my husband’s shirt, Brooks Brothers cotton oxford. He always looked so nice in it with a coat and tie, always the gentleman in it who made me feel beautiful and loved and wanted.

Even then there were scars. Out of view. Hidden. Underneath.
When he took off the shirt, he was someone else.
He was not careful enough. He exposed me, the face of domestic violence. My scars, now visible to the world, post-gunshot wounds delivered by the man who wore the Brooks Brothers cotton oxford shirt.

I wear the scars for you to see in memory of all the women who die, whose children die, at the hands of their partners. Women who were once made to feel beautiful, and loved. This portrait symbolizes their stories, untold, and the life that could have been theirs.

A reprise of highlights of the show took place in April to an audience of more than 100. Included in that audience was a crew to film the performance as part of a documentary on Susan’s work. Susan asked if I would again read excerpts from my blog. It was an amazing and powerful evening which spoke to the strength, tenacity and courage of women as they move through their lives.

I many times struggle with what to write in this blog, in my book. How much to reveal. Whether it is a subject that has been served, over discussed, over emphasized. I question my why. I come back to the Beyond Barbie performance and am affirmed that yes, every person, every woman, has her own story. It is when we hear another’s we so many times find our own, and in it, our power to change it.

This must be my why.

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The Performance

At Susan Singer’s Beyond Barbie, presented by the Chesterfield County Domestic and Sexual Violence Resource Center and Domestic Violence Task Force, I read excerpts from my blog along with other writers, dancers, poets and musicians in a celebration of the strength of women to creatively heal and empower. The documentary producer who with her camera crew was filming the performance asked me to stay and answer more questions to follow up an interview in November as a model for Susan. Everyone had left but the producer, the camera woman and I.

Following the interview, emotionally spent, alone, I walked to my car feeling very hollow. I welcomed the cool breeze in the residual warmth of the night. In the middle of the parking lot I paused, and looked up at the star filled sky, breathing deeply to decompress the intensity of the night. Then, as though I had just discovered something, a sudden revelation I was shocked to learn, I remembered with acute anguish. My husband shot me. My children’s father, my intimate professor of love, my soulmate wannabe looked into my eyes, and he shot me. And he kept shooting me.

I continued walking, unlocked the door and sat in my car in the parking lot of the Holiday Inn, with these words flooding my head.

the performance

I am an oddity
A freak show at a carnival
An unusual deformity
This woman wonder
This curiosity
Caged beauty
On view here today
 
Come on in
Touch her wounds
Hear the pain
Watch the transformation
of this emerging butterfly
 
Hear her gripping tale
of defying the odds
Watch as she walks the tightrope
suspended between then and now
dangerously traversing with no safety net below
 
She will make you laugh
Make you cry
Bring you to your knees
Your jaw will drop at the incomprehension
as you cover your mouth in shock
You will love her
You will hate the part of you she is
 
She loves
She laughs
She mourns
She bleeds
She mesmerizes with her prose.
Watch as she exchanges energy,
leaves the audience breathless and silent
 
Step right up and get your tickets here
So rare – one of the few left in the world
Here for a limited time only
Cmon folks, catch her while you can
See if she makes it to the other side
Watch her rattle against the chains that bind her,
break free and walk out
 
This rarity
This one woman show
This solitary ghost
This spirit on loan
 
Come on in
(c) ldj  14apr2012

At times it is very difficult to grasp my survival. As grateful as I am, beyond words, it is at the same time difficult to live with. All that has happened, and the girl I was before any of it lost forever. It is the quiet hours that still prove most challenging. I continue piecing together these fragments to create my life, meanwhile still seeking solace and escape to a place where it doesn’t exist.

It is a fight with an invisible enemy, punching into the darkness to keep it at bay.

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